Asap Rocky Best Songs Album Download

We're diving into A$AP Rocky'due south 25 best records.

A$AP Rocky'south had a rough week that looks like its not getting amend any time soon. He was detained in Sweden for what was initially designated aggravated assault, only was and then downgraded to standard set on. Details were fuzzy, and TMZ obtained a video that clearly showed Rocky and three others fighting with ii men. In response, Rocky posted a video that conspicuously shows he and his crew attempting numerous times to de-escalate the situation and asking the men to please stop following them. He was denied bail past Swedish government due to concerns nearly flying hazard, and according to Ferg is beingness held in lonely confinement without any phone phone call allowances while the courts take two weeks to make up one's mind whether or not to get to trial.

Now feels like the best time to wait back on Rocky'southward considerable impact over the last decade or so. He burst onto the scene in 2011 with singles like "Peso" and "Majestic Swag," levied internet buzz into a massive $3 1000000 contract with Interscope, released a now-beloved mixtape, and went on to get one of the biggest names in rap. The Harlem bred artist draws on myriad sounds and influences to create a world uniquely his own. He puts his unmistakable mark on every project he takes on, be it fashion, music, interim or any other pursuit.

Here is a list of the elevation 25 songs, listed from worst best to best-best, that the prodigious rapper has turned out over the terminal decade.

A$AP Rocky performs in Singapore, 2019 - Christopher Jue/Getty Images

25. Praise the Lord (Da Shine)

The second single released for Rocky's 2018 anthology Testing is a standout on a tape that is oftentimes overproduced and undercooked. Rocky and Skepta trade verses and then collaborate on a final poetry, all over a Skepta beat that somehow makes woodwinds sound swaggy.


24. Long.Live.A$AP

The pb single and titular track from Rocky's first studio tape served as a pattern for the rest of the album. Rocky was as cocky and quick witted as ever, slowing down between verses for a sung chorus and layering vocal tracks on the final poetry to create the illusion of a group chant.


23. Leafage

"Leaf," from the latter half of his debut mixtape Live.Honey.A$AP features the type of hyper slowed down production that would afterwards become a touchstone for Rocky. He drops into double fourth dimension rapping occasionally on verses, and addresses early critics pointedly. "Get off my dick."


22. Excuse Me

"Excuse Me" is mostly notable for how fun it is. The At.Long.Last.A$AP track finds Rocky rapping conversationally over a lilting beat for the song's first half, until a sung chorus that wouldn't sound out of place on a Coldplay album cuts in. After it hits, Rocky gradually speeds up his verses until he sounds nearly out of breath by the time the final chorus slows the momentum.


21. M$

M$ is an mid-tempo Lil Wayne-featuring track that finds Rocky in his various condolement zones. Self-assured (" I'd like to thank myself because I fabricated myself the human"), bragging about money ("It'south like lately all I seem to think near is K'southward"), and chasing women ("I wanna see y'all accept information technology all off/and she only wanna get in harder"). The song as well features a relatively energized Wayne at a fourth dimension when his career had fallen off in a major way and it was unclear whether he'd always rap the same again.


20. Fuckin' Problems

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"Fuckin Problems," the massive hit from Long.Alive.A$AP, features three huge superstars in Drake, ii Chainz (on the claw, non yet at his apex) and Kendrick Lamar, and it sounds like information technology. The vocal is all playful braggadocio and boastfulness every bit the rappers each extol the (ironic) problems of wealth and fame.


19. Canal Street

The second track on At.Long.Last is named afterward a famous street in lower manhattan thats ofttimes frequented by tourists. In an interview with Elliot Wilson on "CRWN" Rocky claims he bought two gilt medallions in that location. Accordingly, its another chance for Rocky to reverberate on how much his life has inverse, from the hustle of his youth to the excess of his mail service-music fame (" I went from roaches on my crash-land to red broaches on the cuff" ). The beat begins with a stark electric piano line, but eventually blooms into something lush and gorgeous that mirrors the rapper's approximation of his own life. Maybe.


18. PMW

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Languid Beats and Rocky's signature pitched downwardly ad-libs ability this fun collaboration with ScHoolboy Q from Rocky'south second album. The chanted chorus, a nod to Lil Wayne's "Pussy, Money, Weed," is sandwiched between verses that observe Rocky and Q playfully borrowing elements of each others' catamenia. It'south memorable and directly in its simplicity. Information technology'due south all they really demand.


17. Suddenly

"Suddenly" is an do in momentum. The track starts as if beingness broadcast from the bottom of a puddle, muted voices singing the song'due south title over and over, until Rocky's voice breaks in clear and at the front of the track. The beat slowly becomes more developed as Rocky speeds up his catamenia. Around the 2:30 mark the drums hit and Rocky goes into triple fourth dimension. After a few acrobatic bars Rocky stops abruptly and the track lapses into a sustained outro kicked off by Rocky'due south narration and chanted group "ay'due south."


16. Electric Body

ScHoolboy Q and Rocky seem to feed off of each other's energy every time they collaborate. "Electrical Body," which sits nearly the eye of At.Long.Terminal. finds them trading verses with their usual enthusiasm, only the chorus is what makes this one so memorable. (This seems to exist a theme on Rocky/Q tracks). It'southward mostly a description of a adult female dancing, but the staccatto "handclapping-clap-claps" and singsong "milk shake that ass girl" brand for a memorable weirdo of a song.


xv. Trilla

Oh, "Trilla." Rocky tumbles over a trebly guitar riff, showcasing his power to utilize syllables similar needles, nimbly pin-pricking his style through verses until dropping into Os Thugs appropriating fast rap. The vocal owes a lot to the Cleveland coiffure, but also serves to innovate Rocky's multi-influenced take on New York rap.


xiv. Lord Pretty Flacko Jodye 2

"LPFJ2" is a brash and exhilarating declaration of Rocky'south newfound (at the time) rap supremacy. Synths blast similar sirens and Rocky references his Long.Alive.A$AP track "Jodye" from a newly game-dominating position. Information technology's harsh and braggy in all of the correct ways.


xiii. 1Train

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"1Train" is a killer group runway. Kendrick Lamar, Joey Bada$$, Yelawolf, Action Bronson, Big Yard.R.I.T. and the always-welcome Danny Brown all show up for a straightforward menses showcase (flowcase). It's congenital to impress and fully delivers. Joey Bada$$ hadn't nevertheless reinvented himself as a conscious human activity, Action Bronson was a mogul in the making, and Brown was as erratic and transcendent equally he's always been.


12. Angels

"Angels" is lush and wonderful. Rocky floats over a resplendent crush, dipping in and out of flows (as is his wont) and declares that he brought Harlem back. Peradventure he did.


11. Wavybone

On "Wavybone" Rocky leans all the way into his spiral influence. It'due south knowing, purposeful and served with a flash. Mid-song, a familiar voice with an unmistakable Port Arthur twang hops on the track. Pimp C himself shows up for a post-mortem verse. C boasting about his plans to "go me some caput from Sheryl Crow" dates it pretty plainly, but information technology's a wonder to hear his vox once again, set amongst southern funk rap beats that he would've snapped on with ease. Juicy J and Bun B likewise evidence up, and Rocky allows each guest to do what they do all-time. Meta-rap has never been improve.


10. Brand New Guy

Another Rocky/Q collab, another showcase for the 2'due south undeniable chemistry. Q takes point here while Rocky dances effectually the perimeter, ever around but only showing up when necessary. This is the dynamic duo'due south opus, a masterpiece of back and forth wherein Rocky throws the idea of style to the dogs and demands we consider him its thesis; it'southward the 1 where Q flexes his souvenir for onamonapia and steals the spotlight from the homo of the hour.


9. Pretty Flacko

Pretty Flacko came out betwixt Rocky's mixtape and commercial debut, and finds him in an intoxicatingly confident zone. If you listen, he'll tell you how he's as famous as Mozart and how hoes distraction on his get-carts. Information technology's a dizzyingly fun rails that sounds similar Rocky realizing his new power in real fourth dimension. Get your motherfucking easily upwardly.


eight. Out of This Globe

Rocky kicked his way onto the scene with veritable strength. Subsequently signing a deal with Interscope, he dropped this i-off track. Information technology's all synth and booming drums. Information technology'southward Rocky (correctly) anticipating his success while retaining his trademark cool, and it sounds like a wildly-talented kid peeking excitedly through all of the doors that had simply been opened in front of him.


7. Palace

The Alive.Dear.A$AP opener is yard and considered. Rocky takes his time to tell us about his influences and establish his idiosyncratic mode for what was the get-go time he had a massive audience waiting to hear what he had to say. He drops into his triple time midwest flow to shout out Houston and Harlem. A$AP revealed himself to be a rapper that could mix influences without stepping on any toes and a cocky rap game mogul on the first rails of his kickoff mixtape, and it sounds as impressive as you'd call back.


6. Kissin Pink

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I'm going to drop any semblance of relative objectivity a top 25 list could peradventure accept and say that this is my all time favorite Rocky song, and I can't believe my editor allow me put it this loftier on the list. (Shout out Rose) [Editor's Note: Lol]. Rocky spends most of the time singing through a blissed out, lean-induced haze. He extols the virtues of promethazine and women in an absurdly catchy sing-vocal cadence before introducing the world to the joys of A$AP Ferg, the ecstatic weirdo and A$AP Mob member who would get on to take a successful solo career of his own. Ferg shouts out Houston legends Pimp C, DJ Screw and Big Moe; he lets u.s.a. in on his bizarro nickname (Fergenstein), and generally sounds like nothing in rap sounded at the fourth dimension. His energetic syllable manipulation that collapses into a new earworm every other line and goofy commitment provide the perfect foil to A$AP's languid cool. The two are the articulate stars of the A$AP Mob, and this early track offers a blueprint for how and why they would break free of the Mob and into the rap stratosphere. It's besides but fun and catchy and clever as hell. Long.Live.KissinPink.


v. Bass

"You lot better fucking recognize that shit A$AP." And then starts one of the about confrontational tracks of Rocky'due south career. The hectic product suits the threatening tone. This early, Rocky clearly felt the need to carve out his spot and let his would-be peers know he was peerless. The production is all slowed downward blast bap and pitched downwards vocals, a sound that Rocky would use so effortlessly and finer in the hereafter that y'all'd recognize that shit A$AP.


4. Wassup

Rocky has done some of his best work with producer Clams Casino, and "Wassup" is the nexus of their collaboration, a coming together of the minds wherein 2 artists' styles were so perfectly gratuitous that the result was an instant archetype and a declaration of an entirely unique aesthetic. The hook became iconic, one of the well-nigh memorable statements of purpose in rap this decade. "I exist that pretty motherfucker/Harlem'southward what I'one thousand reppin'/tell them quit the bitchin' I'ma brand it in a second." In an early bear witness of branding genius, Rocky released the song with a wild-ass video. In it, he bathes in greenbacks and drinks champagne while topless models swap spit and jewels in the shower backside him. It also features Rocky brandishing a leashed domestic dog like a weapon, even if the dog doesn't look besides convinced about its own menace, and a 40-drinking, blunt smoking session on what looks to be the Harlem River. Here is Rocky perfecting the sound that would make him a star.


3. Purple Swag

This was the get-go Rocky vocal I e'er heard. I think my friends and I passed the YouTube video dorsum and forth enough times to make up roughly half of its now nearly 54 one thousand thousand (!) views. It's short, fun, and has a dope beat change halfway through where Rocky sings a slowed down version of the "Wassup" chorus. In the caption for the song, which was posted on July xi, 2011, Rocky wrote "IM FROM HARLEM BUT I HAD TO PAY HOMAGE TO ALL THE HOUSTON LEGENDS." His expectations-fueled excitement perfectly encapsulates what makes this extremely low-stakes song so perfect. He's from Harlem, he loves Houston, and the 2 sounds composite to brand a potential throwaway track a legendary flex.


2. Goldie

Afterward Rocky's first studio album Long.Live.A$AP was appear in mid-2012, fans were understandably nervous. Would his kickoff studio album lose the fun, carefully mishmashed beats of his mixtape? Would it exist cleaned up for radio play to the extent that it lost its unique amuse? Would Rocky all the same be the pretty motherfucker we'd come to dear? The two release engagement delays didn't assistance. Then came Goldie. The record's first single, produced past Hit-Boy, puts everything that makes Rocky great front and center. The beat is a little cleaner than before, the accompanying video has considerably higher product value than the early on internet hits, but Rocky's personality and infectious charm shine all the brighter for information technology. The pitched down vocals are yet here in the song's extended hook, Rocky still raps with vigor and Houston-by-mode-of-Harlem swagger about hoes and clothes, and the video is withal curated with utmost taste. The song was a reassurance and a warning shot. Rocky's nonetheless Rocky, merely now he has the money and the platform to blow his competitors out of the water.


i. Peso

"Peso" is when nosotros met the Pretty Motherfucker. He identifies himself every bit such himself at the 0:08 mark of the rail, introducing a moniker that would stick for a considerable amount of time. After gaining traction with singles similar the preceding "Royal Swag" and "Out of This Earth" and Rocky'south much-touted $3 one thousand thousand deal with Sony/RCA, Rocky teased his first mixtape with this piece of sublime genius. "Peso" is indicative of everything that would ingratiate Rocky to the listening public, combining the Houston Screw influenced production by A$AP Mob chapter Ty Beats with Rocky'southward distinctly Harlem bred sensibilities. The Pretty Motherfucker touches on subjects that would come up to ascertain his legacy in the first half of the 2010s-namely fucking whatever he wants, boasting an impeccable taste in loftier dollar street-clothing, and pushing the general swagginess of the A$AP Mob.

Swag is a concept that has pervaded rap for years. It's a catchall for fashion choices and the overt cockiness displayed by innumerable rappers that predate Rocky. Rakim Mayers, however, was the offset rapper to take the term from a vague describing word to a hashtagable declaration of supremacy, a lifestyle and calling card that defined his aesthetic both musically and extracurricularly.

Despite, or maybe in tandem with the untouchable cool Rocky effused at the first of his career, his music always betrayed a warmth and intelligence that made it stand out amongst numerous clout rap peers. Rocky stuck as presently every bit he came on the scene. His agreement of genre, cadency and rap history hinted at the multi-hyphenate mogul he has become. "Peso" puts all of these tendencies and (false) contradictions on display. Every bit soon as he got here, the Pretty Motherfucker made sure we knew he was here to stay.

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